All of the Peterson temperaments work well for fast, accurate tuning. The next two presets were also Peterson temperaments for 12-string guitar – one for the standard strings and one for the octave strings. There’s also a sweetened setting for bass guitar, designed to tune when accompanying an acoustic piano. This one found the note faster and held steadier than the EQU setting, especially when intonating a guitar. The first (EQU), is a straight chromatic temperament, followed by a Peterson “sweetened” guitar temperament suitable for EADGBE tuning. Again, there are 10 to choose from, plus two user-programmable presets. Three pushes of the menu switch brings up the temperament presets. Pushing the menu switch twice brings up the drop-tuning menu, which offers 10 drop and capo settings, ranging from a straight SRV/Hendrix Eb to a drop-C, all of which can be saved. The menu switch lets the user adjust the tuned-to pitch from A433Hz to A447Hz in 0.5-Hz increments, which can be saved as a default setting (so you won’t reset it every time you power up). There was no noticeable tone or signal loss. The VS-S ships in this mode, but I switched to true-bypass and tested it by plugging directly into an amp, then adding the tuner to a signal chain. But the tuner and DI out are always active, for continuous monitoring of the signal. In tuner monitoring mode, the stompswitch still mutes the output, for silent tuning. When the tuner isn’t muted, the pedal essentially drops out of the signal chain. The VS-S operates in two modes – true-bypass and tuner monitoring in true-bypass, the signal from the 1?4″ output is muted and routed to the tuner. And its 21?4″ x 11?8″ backlit display is easy to read in any lighting condition. There are also small dip switches in the battery compartment for selecting tuner mode (true-bypass or tuner monitoring) and lifting the ground on the XLR output. Controls are straightforward and include a true-bypass stompswitch and two microswitches for changing modes and calibrating. a baseball bat section dedicated to this) with its chassis-mounted 1?4″ input/output jacks and balanced XLR output. Housed in die-cast aluminum, the VS-S oozes durability (Peterson’s website has a StroboStomp vs. The Peterson VS-S StroboStomp is a compact (5″ x 4″ x 23?8″) unit that will fit in any pedalboard, yet surrender nothing to its big brother VS-1 or to any strobe tuner of yore. In 2001, it took the technology into the digital age with its VS-1 Virtual Strobe Tuner, and in ’04 brought the concept of hyper-accurate tuning into the realm of the pedalboard. Since the mid 1980s, Peterson has been the only company in the world building strobe tuners. In the late ’60s, its Model 400 strobo-tuner was one of the most popular tuners on the scene, and appeared on stage with the Grateful Dead, the Who, Frank Zappa, Pink Floyd, and other top-notch professional acts. Peterson Electro-Musical Products may not have invented the strobo-tuner, but since the early 1950s, it has been a major player in the electronics field as it relates to instrument tuning devices.
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